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Zen, and Kerberos Saga editions use standard B5 (25.7 cm x 18.2 cm / 10.1" x 7.2"); the Popular edition uses A5 (21 cm x 14.8 cm); and the Frozen edition uses B6 size (18 cm x 13 cm). Additional contents such as prologues, production notes, scenarios, organization charts, glossary, staff interviews, and bibliographies are always included in tankōbon editions to explain the Kerberos Saga's complex background.Amazing Comics serialization (Act1~2 / B5)Kerberos Panzer Cop was first published in October 1988 through Amazing Comics (アメージング·コミックス), a science fiction/horror two-monthly comics magazine published from 1988 to 1989 by Kasakura Shuppansha.ReleaseMagazineTitleContents1988.10アメージング·コミックス 第2号Amazing Comics #2犬狼伝説Kerberos Panzer Cop第1話: 捨て犬Act 1: The Forsaken Dog1989.02アメージング·コミックス 第4号Amazing Comics #4犬狼伝説Kerberos Panzer Cop第2話 前編: 猟犬Act 2: The Hound part 11989.04アメージング·コミックス 第5号Amazing Comics #5犬狼伝説Kerberos Panzer Cop第2話 後編: 猟犬Act 2: The Hound part 2Combat Comic serialization (Act1~4 / B5)After Amazing Comics last issue in April 1989, Kerberos Panzer Cop: Part Iserialization restarted in Combat Comic (コンバットコミック), a monthly science fiction/fantasy comic magazine published from 1985 to 1990 by Nihon Shuppansha. Part One (Act1~4) was completed in July 1990.ReleaseMagazineTitleContents1989.11コンバットコミック 第30号 (1989年11月号)Combat Comic #30押井守&藤原カムイ: 犬狼伝説Mamoru Oshii & Kamui Fujiwara: Kerberos Panzer CopAct 1/Act 21989.12コンバットコミック 第31号 (1989年12月号)Combat Comic #31押井守&藤原カムイ: 犬狼伝説Mamoru Oshii & Kamui Fujiwara: Kerberos Panzer CopAct 31990.01コンバットコミック 第32号 (1990年1月号)Combat Comic #32押井守&藤原カムイ: 犬狼伝説Mamoru Oshii & Kamui Fujiwara: Kerberos Panzer CopAct 4 part 11990.03コンバットコミック 第34号 (1990年3月号)Combat Comic #34押井守&藤原カムイ: 犬狼伝説Mamoru Oshii & Kamui Fujiwara: Kerberos Panzer CopAct 4 part 21990.06コンバットコミック 第37号 (1990年6月号)Combat Comic #37押井守&藤原カムイ: 犬狼伝説Mamoru Oshii & Kamui Fujiwara: Kerberos Panzer CopAct 4 part 31990.07コンバットコミック 第38号 (1990年7月号)Combat Comic #38押井守&藤原カムイ: 犬狼伝説Mamoru Oshii & Kamui Fujiwara: Kerberos Panzer CopAct 4 part 4Original edition (Part I / B5)In December 1990, Nihon Shuppansha compiled Kerberos Panzer Cop: Part One in a single paperback volume with the original cheap paper quality and B5 size kept (25.7 cm x 18.2 cm). This original edition features a curved silver dust jacket cover that included a white obi strip promoting the StrayDogtheatrical adaptation's March 1991 roadshow ("映画化公開決定!").ReleaseBookTitleContents (•Extra)1990.12.20Nihon ShuppanshaISBN 4-89048-271-7(B5, 234p.)犬狼伝説 (オリジナル版)Kerberos Panzer Cop (Original Edition)Act1~4 with Prologue•犬狼伝説 設定解説 押井守篇Kerberos Panzer Cop: Setting Explanation by Mamoru Oshii•出渕裕デザインワークスYutaka Izubuchi Design Works•不適な笑み 高取英Unsuitable Smile by Ei Takatori•シナリオ 犬狼伝説 第3話:野犬 押井守Scenario: Kerberos Panzer Cop Act3: The Stray Dog by Mamoru Oshii•ガキ大将=文学青年=押井守 友成純一Gaki Daisho=Seinen Literature=Mamoru Oshii by Junichi Tomonari•犬と立喰い 押井守 (05.11.1990)Dogs & Fast Food by Mamoru Oshii (1990.11.05)•おとがき 藤原カムイOtogaki by Kamui Fujiwara•参考文献一覧Enumerative bibliographyPopular edition (Part I / A5)Re-issue of the 1990 Original edition by Nihon Shuppansha. Paper size is smaller than the original B5 edition (now 21 cm x 14.8 cm) but the paper quality is a bit better. Half of the bonus material was removed though for a budget release.ReleaseBookTitleContents (•Extra)1993.11.20Nihon ShuppanshaISBN 4-89048-402-7(A5, 206p.)犬狼伝説 (普及版)Kerberos Panzer Cop (Popular Edition)Act1~4 with Prologue•シナリオ 犬狼伝説 第3話:野犬 押井守Scenario: Kerberos Panzer Cop Act3: The Stray Dog by Mamoru Oshii•犬と立喰い 押井守 (05.11.1990)Dogs & Fast Food by Mamoru Oshii (1990.15.10)•おとがき 藤原カムイOtogaki by Kamui Fujiwara•参考文献一覧Enumerative bibliographyMonthly Shōnen Ace serialization (Act5~8 / B5)The sequel and completion of Kerberos Panzer Cop, featuring Acts 5~8 (第二部, Part 2), was published in Monthly Shōnen Ace (月刊少年エース, Gekkan Shōnen Esu) monthly

Anti tank cannons both towed and mounted on Tiger tanks and Elefant tank destroyers.Key Soviet Units in Panzer General 2The historic Red Army began the war with a massive quantitative advantage over the German invaders, and in the famous T-34 tank and IL-2 Sturmovik ground attack aircraft it possessed a qualitative edge as well. As the Soviet campaign develops in Panzer General 2, units of increasing power are mated with the advantages that come in the game with increased unit experience. The T-34 is available in several incarnations as are the lesser known KV Heavy tanks, and by 1945 the Powerful Iosef Stalin heavy tanks are deployed ahead of the assault on Berlin.Soviet Guards Infantry formations are the cream of the Soviet infantry force, and the Katyusha mobile rocket launch system can function as the core of the Soviet artillery force. Topping off the Soviet superiority in firepower is the Sturmovik bomber, an airborne tank destroyer that ravages German panzer formations.Allied Panzer General 2 Units: Relative LightweightsUnfortunately for Allied players of Panzer General 2 the Allied unit offerings are largely poor relative to their German opponents. Sherman tanks had historic advantages in numbers, but the fact that eighty percent of Tiger and Tiger II tank losses in the real world were due to air or artillery attack and not opposing tanks aptly demonstrates German technical superiority in tank design over the Western Allies.The Allied (British/American) Panzer General 2 units that function as game changers are the aircraft, many of which are well known to students of the Second World War and aviation buffs alike. Spitfire and Mustang fighters are equal to any German propeller driven aircraft, and as in history the air superiority offered by these stalwarts is what gives the Allied forces a fighting chance.They Just Don’t Make Games Like Panzer General II Anymore.Those of us old enough to remember the 1990’s gaming era are often quite dissatisfied with the games that seem to be released these days. While advanced graphics and movie quality cut scenes are fantastic, the increasing popularity of the gaming industry seems to have led to more traditional corporate structures dominating game development and design, structures that emphasize profitability and tight release schedules over innovation and quality.This is, of course, a generalization that isn’t completely accurate, but there does appear to be at least a growing perception among gamers that games have lost something in

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